Showing posts with label ritual. Show all posts
Showing posts with label ritual. Show all posts

Sunday, September 30, 2012

Joanna Macy and Active Hope

          Recently I heard Joanna Macy at the Unitarian Church in downtown Portland. This was my third time hearing Joanna in Portland, and I also had the good fortune to attend a weekend intensive with her while I was studying down in the Bay Area. Her 2012 talk was an introduction to her new book, Active Hope: How to Face the Mess We’re In Without Going Crazy (Macy and Johnstone, 2012).
Joanna talks about “the great turning.” We were in the great hall of the downtown Unitarian church, and before the lecture we were blessed to hear some really brilliant, integrative live folk music by a young man who’s studied with her. Songs such as “The Uni-Verse/The One Song” and an invocation for a time of global prayer tied to the Olympics, the organizer sharing “Each of us carries an essential thread of this rebirth of the tapestry for this holy Earth.”

Macy, the Clear View, and Redefining Active Hope

Joanna did speak of getting a clear view, seeing what is, even if painful. Macy’s work emphasizes how, in a culture of domination and power-over, even if it’s painful, even in the midst of highly developed brainwash, to choose to see. Then identify the values we’d like to see, and takes steps to move in that direction. She spoke of how our perception is affected by the stories surrounding us, whether it’s the story of business as usual, the great unraveling (in which the industrial growth society is shredding system connections in a way that is unreweave-able), or the great turning. She spoke of how she didn’t want to call the book “hope” – she doesn’t believe in it, has railed against hope for years [to which I was eternally grateful, I agree and was surprised when I saw the title. I’ve been meaning to change the earth empathy site from the beginning from "despair and hope" to "despair and justice," perhaps her words will spark me to make it so]. She described how, even though she did not prefer the language of "hope," her views did not come to fruition; the subtitle is her original desired title. So what she does in one chapter, with the co-author, is redefine active hope so it doesn’t really have to do with hope at all. Instead, it’s about seeing things as they are, being willing to, doing it, having the heart break open from it, and holding the clear intention and taking the action anyway. “The guiding impetus is our intention, not weighing our chances.” Joanna Macy clarifies: “This work does not require our optimism.” That resonated deeply with me. “It’s about stepping into a state of aliveness that makes our life meaningful.”
Dori Midnight, from Joannamacy.net

“Seeing with New Eyes”

She named four stations in the truth mandala that The Work That Reconnects uses: She suggests we ground in gratitude, then bring our awareness to our great sorrow and outrage, and then see with new eyes so that fourthly we can go forth, bringing full presence to the work. The third station was “seeing with new eyes.” Macy suggests a perceptual move of seeing with new eyes, meaning that as we learn/believe/experience (a la the work of deep ecology and the ecological self) “that we are a living part of the living earth, a shift happens.” A wider view of time emerges. The synergy with the natural world also widens and strengthens us. We are closely related to all the other beings through space and time. Other life forms have so much to give and share. We shift toward a different kind of power, from power-over to power-with, from one-way causality to collaborative approaches, power as synergistic, our interactions working with others. Like grace, there is no limit when we work together. 
 Here's Joanna on the possibilities:
The truth of our inter-existence, made real to us by our pain for the world, helps us see with new eyes. It brings fresh understandings of who we are and how we are related to each other and the universe. We begin to comprehend our own power to change


and heal. We strengthen by growing living connections with past and future generations, and our brother and sister species.

Then, ever again, we go forth into the action that calls us. With others whenever and wherever possible, we set a target, lay a plan, step out. We don’t wait for a blueprint or fail-proof scheme; for each step will be our teacher, bringing new perspectives and opportunities. Even when we don’t succeed in a given venture, we can be grateful for the chance we took and the lessons we learned. And the spiral begins again.  - Joanna Macy

Tuesday, March 2, 2010

Beyond the Hero's (or Hera's) Journey

Just can't resist offering a feminist expansion of what is rendered [a la Joe (Campbell)] as "the hero's journey." I am assuming other feminist scholars besides myself have done the work of deconstructing this "archetype" as only a partial rendering of the many, ecological, connecting archetypal patterns and rhythms for discovery and deepening. I forgive Campbell, for he was such an ardent journeyer and was so beautiful in his way-showing, for this limitation which we can now see in that work. The emphasis of a single being, a "hero," whose journey involves deepening isolation and different-than-ness (OK I could really go on and on here about this, I'll stop myself), deracination, challenge etc. is so ...dominator, so Western. Earth-based practitioners have proposed that for our culture, instead of solo quests (which might make sense as rites of passage in cultures of deep embedded connection), we need to engage in the modes and patterns of the men's/women's movements, about circling, creativity, culture-making, and connection.

A really interesting question is: what would an ecological, planetary-emergent model for rites of passage look like rather than the solitary-being narrative of a disconnected cell - what if contexted properly as part of the larger bloodstream of the earth? How would we need to upend our grammar to properly position ourselves in a narrative of the world-in-the-present-moment-perhaps-unfurling-in-this-water-sac-and-also-as-the-orison-of-4-billion-years-in-process-and-motion-and-evolution? How do we reframe our narratives as the planet-in-bodies?

Just to stir the cauldron and widen our gyre...

Tuesday, February 23, 2010

Weave and Mend

From a note to Malcolm...

Some people like to cut and dissect, others to mend and weave. I am a weaver. And I notice that cutting and dissecting are also movements of the systems of domination and destruction. I avoid the cutting and dissection pits (a la reductionism).

I like your point about the internal ecosystems of humans - the "inner workings... complex, dynamic, and interdependent." I was reading Spiritual Liberation (by M.B. Beckwith - New Age/Ancient Wisdom stuff) about "inner ecology" (p. 67+) earlier this evening. Similar concept. Loving it! It reminds me of this picture I want to try to find again, from a book about Chinese Medicine, which shows an outline of a person but inside it are mountain ranges and rivers; I can't find it exactly but here's something like it from an outpicturing of the NeiJing (Ancient Chinese medical classic): Human Torso and subtle energy gardens and mountain ranges and rivers

So as a weaver, I want to immediately start subverting the distinctions between subjective and objective. Perhaps, as our senses and system senses are awakened, I would offer that we can more easily/"objectively" see and sense systems and it becomes almost impossible to see things as separate. This is a kind of meta-objectivity, or an infusion across/underneath/among objective/subjective. Perhaps this kind of wholeness is what ritual nourishes, what you so aptly cite as LaChapelle describing 'the pattern that connects.' Perhaps as we regain our web-weaver-connectionist perception, our sight clarifies and deepens. This allows us to sense into emerging regenerations sourced from the Earth system, already undergirded and upwelling/groundspringing from the very fabric [fabric/mending/connections] of nature. I have a scythe and there are certainly times I find it useful, but I also have a needle and thread, I also have my outstretched hand, and eyes that weave...