Source: Deep Blutopia, San Diego 2121, Alan Marshall (Link)
I recently drafted this proposal for a 2022 International Poetic Inquiry conference. It relates to inviting people into playing a multi-day collaborative writing game I created called "Ecotopia Versus Zombie Apocalypse" (Game Guidelines here: https://www.earthregenerative.org/ecotopiavzombie/game )
Starting with a couple of motivating quotes by Kagawa and Selby (2009) and Haraway (2017):
“Wherever it takes place, climate
change education needs to be a social and holistic process… Looming
rampant climate change calls for flexible learning and emergent curriculum
approaches that embed climate change learning and action within community
contexts…. The threat is also too urgent to any longer continue with
epistemologically under-dimensioned learning confined to rational, linear,
classificatory, and mechanistic ways of knowing and seeking to effect change.
Employed exclusively, even predominantly, such ways of knowing are tantamount
to applying disease as remedy. There is a
need for the complementary and recursive use of artistic, embodied,
experiential, symbolic, spiritual, and relational learning, especially in the
vital task of reconnecting learners to the earth while enabling them to
discover their (connected) identity and realize their full potentials.”
(2009, pp. 242-243, Fumiyo Kagawa & David Selby, “Climate
Change Education: A Critical Agenda for Interesting Times”)
“We relate, know, think, world, and tell stories through and with other stories, worlds, knowledges, thinkings, and yearnings. So do all the critters of Terra, in all our bumptious diversity and category-breaking compositions and decompositions. Words for this might be materialism, evolution, ecology, sympoiesis, history, situated knowledges, animism, and science art activisms, complete with the contaminations and infections conjured by each of these terms. Critters are at stake in each other in every mixing and turning of the terran compost pile. We are compost, not posthuman; we inhabit the humusities, not the humanities. Philosophically and materially, I am a compostist, not a posthumanist. Beings – human and not – become with each other, compose and decompose each other, in every scale and register of time and stuff in sympoietic tangling, in earthly worlding and unworlding. All of us must become more ontologically inventive and sensible within the bumptious holobiome that earth turns out to be, whether called Gaia or a Thousand Other Names.” (Donna Haraway, 2017, p. M45)
Polychordal exuberance and post-apocalyptic incantation presage
the way AnzaldĂșan queer-magical nepantlera poets (Anzaldua) cross the
borderlands of transtemporal and transpatial climate justice to forge fresh
futures. Macy (2020) asks, what might the future beings 200 years from now know
about our contemporary acts of courage and bravery that help bring about their
survivance? In the vicinity of Tsing’s monsters of the Anthropocene (2017) and
Harawayian compostist future fictioning in the Cthulucene (2016), I explore the
accounts incubated in graduate classrooms beyond the “zombie” wars, with
intersectional ecofeminist, ecopsychological, climate justice, and queer
ecological lenses. Using poetic inquiry methods, I share poems and intercepts
from the struggles of the emergent future. Layering texts co-created with
mythic beings, earth dwellers, and zombies, crafted by graduate students in
intersectional ecofeminisms and sustainability innovation: fresh possibilities
arise. How can we bust beyond binaries and imagine our way into the emergent
unknown, leveraging patterns from biocultural and nature-based regeneration as
templates for fresh possibilities? And how can the fruits of these fresh
disjunctures and ethical rearrangements invite us into futures worth
inhabiting? Listen, listen - a la Alexis Pauline Gumbs’ “Evidence” (2015) and M
Archive: After the End of the World (2018) - to the voices of the
future beings, breathing their blessings, offering their encouragements and
clarifications. Can poetry and creative writing direct a kind of distributive
justice? At the quickening sensefield matrix, the intersectional juncture, the
ecotonal deltaflux, tuned to sensitive sensing through poetic entrainment, we
time travel and inmerge to greater wholeness.
Partial
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